From the PREFACE:
while my buddy Professor Vaughan requested me if I had proposal over any topic for a dissertation, I felt depressed. For I remembered the depression compilation that's anticipated from a pupil who units out to take a level in English Literature.
while puzzling over over attainable matters, a music-teacher of my formative years, the overdue Wallis Vincent, A.R.C.O. (one whom I well known tremendously not just for his musicianship, which was once significant, but in addition for his have fun with funny poetry, his prepared wit, and his genial kindness), lent me his manuscript of a favored lecture on " Shakespeare and Music." i used to be struck via the quantity of enjoyable he had received out of it, and foresaw that to make a deeper examine of the topic will be to tread an attractive direction. i decided to not paintings the floor already appropriated by means of Mr. E. W. Naylor and re-worked by means of Mr. L. C. Elson, yet to move extra afield and describe the percentage taken by means of musicians in an Elizabethan play.
I drew up a scheme, was once fortunate adequate to have it authorized, and proceeded to gather fabrics to make it right into a dissertation. the result's the next little publication. It doesn't think to be greater than a comic strip, which at a few destiny time i am hoping to amplify. I must have cherished to learn and ransack each play of the interval for cloth, yet regrettably, 1 had no longer time adequate for this.
Then why put up? I post that allows you to document growth ; but in addition simply because i believe scholars of Shakespeare and musical historians will locate during this essay a lot that's of curiosity, and whatever that's new.
the best remorse i've got is that Wallis Vincent will not be learn those pages. He observed the 1st draft of the MS. and used a few of its fabric for his final lecture on " Shakespeare and Music." It used to be his appreciation that first led me to hunt a writer. To him I owe the best thank you, and to his expensive reminiscence I supply this acknowledgement.
additionally I thank Professor Moorman whose lectures on Shakespeare sealed my curiosity within the topic. My thank you also are because of Herbert Thompson, Esq., who with no trouble offered me with a initial bibliography; to Rev. W. H. Frere, who gave me a whole account of "jubili"; to Rev. A. Hastings Kelk, who proven my suspicions concerning the resource of Bale's canticles; to the readers of the Cambridge college Press, who mentioned, as well as minor information, the nice proportion which track had within the creation of Italian drama of the interval; and specifically to Professor Vaughan, who, as well as a sympathetic curiosity within the paintings, has been more than enough to learn the proofs.
yet one more word needs to be additional. considering that web page 23 was once written, M. Albert Feuillerat has proven (Shakespeare Jahrbuch, XLVIII. p. eighty one) that Blackfriars Theatre was once based as early as 1578 through Richard Farrant, the musician.